Events

2008-05-08T03:10:00.002-07:00

Workshop de performance:

INTRAFLUXOS

Performance como intervenção na paisagem urbana e aspectos específicos da história recente da arte contemporânea brasileira em espaço público
...

Uma serie de intervenções urbanas, a partir de práticas performativas tornaram-se notórias manifestações poéticas no campo da artes visuais entre a década de 1970 e 1980. Encontramos, desde meados de 1950, na história da Arte e da Cultura brasileiras, uma serie de acontecimentos importantes que nos chamam a atenção por levar a prática artística ao espaço público. Estas interferências no fluxo quotidiano da cidade geravam, para além da modificação das formas de perceber o espaço urbano, apontavam questões sobre os modos de produção na arte.
A cidade de São Paulo tornou-se num dos palcos para o acontecimento de eventos experimentais organizados pelos jovens artistas, situações, happenings, performances e interacções no espaço.

Na oficina para pensar a performance como intervenção na paisagem urbana. Serão abordados procedimentos em que se estabeleçam relações com a cidade a partir de exercícios de percepção. Aspectos específicos da história recente da arte contemporânea brasileira trarão elementos para se pensar contextos específicos propondo acções no espaço urbano.

Esta proposta de trabalho será uma introdução à problemática que inaugura a prática de intervenção na cidade de São Paulo entre as décadas de 1970 e 80.

MARÍA VAZ VALENTE
Trabalha a performance desde uma perspectiva plástica e de relação com o espaço, nos seus trabalhos, a exploração do espaço físico relacionado com o tempo e o corpo é um tema recorrente, a construção poética das suas acções, têm implicado sempre a presença de uma audiência e algumas vezes trabalha directamente com o publico em ambientes happening.
Maira é também uma das responsáveis pela criação do NAP Núcleo Aberto de Performance , que visa incentivar o desenvolvimento da pesquisa e ensino da historia da Performance. Tendo também incentivado o aparecimento da disciplina Práticas Performativas, que foi construído cruzando o ensino de Artes Plásticas com Artes Cénicas na Universidade de São Paulo.
http://br.dir.groups.yahoo.com/group/nucleoabertodeperformance/

Domingo 21 de Novembro das 11h às 13h e 14 às 17h.
2ª feira 22 de Novembro das 20h às 23h.

valor 20€

Espaço do Urso e dos Anjos
http://www.joaogarciamiguel.com/espaco.html.

Uma proposta de epipiderme http://www.epipiderme.blogspot.com/ e Organizadores Performers Associados Portugal em parceria com o Espaço do Urso e dos Anjos

+info:
cpnintape@yahoo.com
00351(pt) 915758183

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"FRAGILE-global performance chain journey" is a global art initiative by VestAndPage - Verena Stenke & Andrea Pagnes, Florence/Italy, 2010. (www.vest-and-page.de)
FRAGILE is possibile thanks to over 750 artists and its partners:
° Zonadearte - Espacio para la Investigacion en Arte Contemporaneo, Quilmes Argentina
° EMBA - Escuela de Bellas Artes Carlos Morel, Quilmes Argentina
° EMBA - Departamento de Extension Cultural, Quilmes Argentina
° MisterPink - Galeria de Arte, Valencia
° ARTe en acciON - Madrid
° EPIPIDERME - Encontro a volta da performance - Lisboa
° COSMOS FACTORY - Chihuahua Mexico
° L'ORVELLA VERMELLA - Centre d'Art d'Accio del Tarragones
PERFORMANCELOGIA - Todo sobre Arte de Performance y Performancistas

________english / espanol / português / italiano / francais / indonesia____________

__________ENGLISH____________________________
____Can ONE FRAGILE OBJECT, in times of email, chat and mobility, pass one time ALL AROUND THE WORLD safely – from hand to hand, charging itself with stories and people?
Will it be the same when it returns? ----
____With FRAGILE - global performance chain journey performer from around the whole world work together in one same action, everybody the way he/she does.
All will carry one object around the planet.

__________ESPANOL____________________________
____¿Puede UN SÓLO OBJETO FRÁGIL, en los tiempos del correo electrónico, el chat y la movilidad, cruzar una vez TODO EL MUNDO con seguridad – de mano en mano, cargándose de historias y personas?
Será lo mismo cuando regrese?
____Con FRAGILE - global performance chain journey artistas de performance del mundo entero trabajan juntos en una misma acción, cada uno/una en su propia forma.
Todos llevarán un objeto alrededor del planeta.

__________PORTUGUES____________________________
____Pode um objeto frágil, no tempos do e-mail, do chat e da mobilidade, dar uma VOLTA AO MUNDO de forma segura - de mão em mão, carregando histórias, pessoas?
Será o mesmo quando voltar?
____Com FRAGILE - Jornada global de performances em cadeia , artistas de performance do mundo todo trabalham juntos numa mesma ação, cada um/uma ao seu prórpio modo.
Juntos, levarão um objeto a uma volta em torno de todo o planeta.

__________ITALIANO____________________________
____Può un OGGETTO FRAGILE, in tempo di email, chat e mobilità, girare ATTORNO AL MONDO in modo sicuro- passando di mano a mano, caricandosi così di storie, significati e dell’energia delle persone?
Come sarà quando farà ritorno al punto di partenza?
____Con FRAGILE - global performance chain journey, performer provenienti da tutto il mondo lavorano insieme, uniti da una stessa azione, ma ognuno a suo modo.
Tutti porteranno un oggetto in giro per il pianeta.

__________FRANCAIS____________________________
____Peut un OBJET FRAGILE, à l’époque des email, des chat et de la mobilité, voyager AUTOUR DU MONDE sans risques, en passant de main en main, se chargeant ainsi d’histoires, de significations et de l’énergie des gens?
Comment va être-t-il quand il va revenir au point du départ?
____Avec FRAGILE – global performance chain journey, des artistes venants de tout le monde travaillent ensemble à la même action, mais chacun de sa manière.
Petit à petit, tous vont amener un objet atour de la planète.

__________INDONESIAN____________________________
Dapatkah suatu OBJEK YANG RAPUH, bersamaan dalam email, percakapan online, dan mobilitas sekarang ini, di kirimkan secara bersamaan MELEWATI SELURUH DUNIA dalam keadaan aman- dari satu orang ke orang yang lainnya, melalui semua cerita perjalanan dari semua orang, apakah akan tetap dalam keadaan yang sama pada waktu benda itu kembali?
Dengan FRAGILE-global performance chain journey ( melalui Aksi rantai perjalanan suatu benda yang rentan-FRAGILE/ RENTAN) para pelaku aksi ini dari seluruh dunia akan bekerja bersama dalam satu aksi bersama, dengan caranya masing-masing. Semua akan bersama-sama membawa satu benda yang rentan secara global mengelilingi planet bumi.
________________________________________
www.fragile-global-performance.net
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“Ornamen Kritis”

Proyek Khusus Mujahidin Nurrahman

21 November – 19 Desember 2010

Pembukaan: Minggu, 21 November 2010, pukul 16.00 (dilanjutkan dengan artist’s talk)

Platform3

Jl. Cigadung Raya Barat no. 2

Bandung 40191

mail.platform3@gmail.com

http://infoplatform3.wordpress.com

Telp/Fax : 022 – 8252.2652

Proyek Mujahidin Nurrahman, perupa lulusan Seni Grafis FSRD ITB tahun 2007, mengawali tahun kedua Platform3. Platform3 tiap tahunnya menampilkan sejumlah perupa yang menggarap proyek khusus berdasarkan hasil diskusi mengenai tema besar tertentu. Tema besar Platform3 di tahun keduanya adalah “agama”.

Mujahidin menjelajahi soal persepsi. Ia meminjam motif-motif arabesque, sebagai satu citraan yang dilekatkan pada Islam untuk mengembangkan perupaan yang baginya mewakili problematika persepsi mengenai Islam dan Muslim. Bagi Mujahidin, yang mengganggu adalah persepsi bahwa Islam identik dengan kekerasan, terorisme, dan ketertutupan. Motif arabesque Mujahidin berangkat dari persepsi ini. Sebuah motif bisa jadi berasal dari sesuatu yang nyata ada di dunia, namun ia ditampilkan setelah melalui proses penyederhanaan dan penggayaan. Proses ini kiranya menjadi kiasan dari problem-problem: bahwa persepsi tidak pernah utuh mewakili, setelah terbentuk sekian lama menjadi amat sulit untuk menentangnya, dan mengandung paradoks.

Gambar-gambar ornamentik Mujahidin menampilkan sikap mengamini—penerimaan terhadap ihwal betapa sulit melawan persepsi—sekaligus menunjukan lapisan-lapisan tafsir atas persepsi yang tidak sesederhana penampakannya.

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PLATFORM3 is an initiative space with focus activities on exhibition and artist in residence programs. In holding its activities, PLATFORM3 attempts to develop artist’s thematic and artistic ideas through intense discussions. All exhibitions held by PLATFORM3 underline every artist’s statement as the most important aspect.

PLATFORM3 is initiated by three curators: Aminudin TH Siregar, Rifky Effendy and Agung Hujatnikajennong; and three artists: J.A. Pramuhendra, Radi Arwinda and Wiyoga Muhardanto. While Heru Hikayat, Herra Pahlasari and Inen work as operational managers.

URL: http://infoplatform3.wordpress.com/
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Dear Performance Art Lover,

We, Dysfunctional Labour, would like to invite you to participate in a performance we are making as part of OUI 1 , in Barlane Studios, York, England on the 13th November 2010 from 12pm-9pm.

The performance work will utilise the overlap of physical and virtual space. Over the course of nine hours we will be working with and responding to other artists in the space, recording, digitising and manipulating imagery and visually recording lines of thought and association. We will be sharing this process on our new website which will be the lens through which we will share and disseminate this information, both in the space and on the world wide web. Through this we hope to being in a dialogue with people both in the space and elsewhere.

We'd like to invite you to view the website over the course of the day and respond to what you see either by leaving a comment or by using twitter to pass comments tagging them with #dysfunctionallabour

These tweets will be shared on a large monitor in the space, and we will respond to these as may other people who are visiting the event.

Our website can be viewed at: http://www.dysfunctionallabour.com/ and will be constantly updated with images, texts and animation throughout the course of the day.

The event will also be streamed live on the OUI website:
http://www.ouiperformance.org.uk/index.php?%2Fcurrent%2Fo-u-i-1%2F

So please join in!

Justin McKeown & Judit Bodor
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ZONADEARTENACCION 2010
CRONOGRAMA - ULTIMA SEMANA
www.zonadeartenaccion.com.ar

Lunes 15 - EMBA
Performance - 18.00hs.
Norma Pedraza - Argentina /Gustavo Solar - Chile
Verana Stenke y Andrea Pagnes - Alemania /Italia

Martes 16 - PABELLON 4
De 17 a 20hs.
Presentación Portfolios de los artistas Zonadeartenacción

Miércoles 17 - EMBA
De 09 a 12hs. - EMBA - piso 3 sala video 1
WORKSHOP ‘Limites Fragiles' PARTE 2
Para un máximo de 15 participantes
Verena Stenke – Alemania y Andrea Pagnes – Italia

De 12 a 14hs. - piso 3 sala video 1
Charla - Recital - Proyecciones de Video poemas “Cuerpopoemas”
José Roberto Sechi
18 a 20hs.presentación trabajos alumnos Worshop Verena Stenke y Andrea Pagnes

Jueves 18 - CCEBA
De 15 A 18,30hs.Performances
Inti Pujol – Mendoza /Argentina /Liliana Medela - Argentina
Verena Stenke - Alemania y Andrea Pagnes - Italia
Karina Prodencio - Chile/Guadalupe Neves - Argentina
Verónica Allocati - Argentina

Viernes 19 - CCEBA - DE 15 A 18,30hs.
Charla Almarmada – Performance de los 90´- 15hs.
Performances
Valentín Torrens - España /Elizabeth Dib - Chile
Norberto José Martínez - Argentina /Judith Rivera Martínez - Chile
Mario Córdoba - Salta / Argentina

Sábado 20 - IMPA
17,00hs-Performances
Santiago Cao - Argentina /Perpetua - Chile
Grupo Faldas - Violeta Cincioni, Florencia Fernandez Frank
y Melina Scumburdis / Argentina
Aníbal Sandoval – Chile
Prem Sarjo – Chile /José de Diego - Argentina
Yahudi Rodríguez Benítez - Cuba

Todas las actividades son libres, abiertas y gratuitas
Consultas sobre agenda, workshops, charlas, etc.
e-mail: zonadeartenaccion@gmail.com

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PERFORMANCE PRESENTE FUTURO VOL. III
Programação
11, 12, 13 e 14 de novembro

11 – Quinta

...14h às 18h – Sergio Zevallos – Filstudio Melodrama

12h às 17h30 – Celina Portella – Videoinstalação:
Derrube, 12’30” e 365, 9’

18h – Mary Fê – Meu pequeno terrorismo de bolso –
Broadcasting live!

18h30 – Claudia Herz, participação de Fausto Fawcett –
Para Anna Pink

19h30 – Guerrilla Girls – Palestra-performance (realizada no Teatro)

12 – Sexta

14h às 18h – Sergio Zevallos – Filstudio Melodrama

12h às 17h30 – Celina Portella – Videoinstalação:
Derrube, 12’30” e 365º, 9’

17h30 – Mary Fê – Meu pequeno terrorismo de bolso –
Broadcasting live!

18h – Marco Paulo Rolla – Narciso

19h – Dupla Especializada –
Ricardo Basbaum e Alexandre DaCosta – Registro de memória

13 – Sábado

14h às 18h – Sergio Zevallos –
Filstudio Melodrama

12h às 17h – Celina Portella –
Videoinstalação: Derrube, 12’30” e 365º, 9’

12h às 14h – Guerrilla Girls – Workshop

17h – Mary Fê – Meu pequeno terrorismo de bolso –
Broadcasting live!

17h30 – Wilson Diaz e Marco Paulo Rolla – Palestra: Festivais de Performance – atravessando categorias, alterando tempos e reorganizando espaços. Mediação: Daniela Labra.

19h - João Penoni – Latente

14 – Domingo

14h às 18h – Sergio Zevallos – Filstudio Melodrama

12h às 20h – PIPS:lab – Luma2solator

16h30 às 18h – Daniel Lima – Conversa com o artista:
Cidade espetáculo

18h – Mary Fê – Meu pequeno terrorismo de bolso –
Broadcasting live!

18h30 às 19h30 – Siri – Instalação sonora (a partir das 12h): MP3xperimental

Durante toda a programação

Maria Lynch – Vídeo: Incorporáveis, 3’

Daniel Lima – Mostra de vídeo: Ações de resistência e inscrição no território urbano

Programm Machtwelten 17. - 19. November | actualitas | Kunst vor Ort

www.actualitas.org

actualitas - Kunst vor Ort - prÃ¤sentiert:MACHTWELTEN17. - 19. November 2010, BraunschweigSibylle Ettengruber (DE), Christians Luna (PE), Geraldine Oetken (DE), Orell (DE), Laura Popplow (DE), Process Institute (DE/PE/CAN/ES), Emilio Santisteban (PE), Evamaria Schaller (AT), Georg Werner (DE)Mittwoc

CAIDA Y RECUPERACION: 9 Y 10 NOVIEMBRE
Tentados por lo irremediable y lo inmodificable, el espíritu de lo imposible, la estética de la impotencia y el devenir fracaso; invocamos la presencia como acto resilente por medio de acciones de noble resistencia, hibridas e incluso hasta minusculas, que se manifiesten en el intersticio que separa la utopia y el vacío. Programa organizado por la Facultad de Artes Plásticas de UJTL y el Festival Universitario de Danza Contemporánea.
Lugar: Museo de Arte Moderno de Bogotá MAMBO
Bogotá- Colombia
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Hola a todos

Están cordialmente invitados a presenciar "NOMBRE EN CONSTRUCCIÓN"
el día sábado 13 de noviembre desde las 2:30 pm en la casa de Nexos Urbanos (Cr.3 No. 12-37 La Candelaria).

La casa estará habitada de intervenciones,
instalaciones, performances y videos.

Blog: http://www.facebook.com/l/2d6b7uj6WXcIUpV2BJerWSne-tw;colectivoenconstruccion-nexos.blogspot.com

ENTRADA LIBRE

Bogotá, Colombia

colectivoenconstruccion-nexos

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GRIMMUSEUM, Fichtestr. 2, Berlin presents:
EXTENSION SERIES 6 Curated by Andrés Galeano
YINGMEI DUAN - IVAN CIVIC
PERFORMANCES: 11.Nov 19:30h
RESIDENCE: 8 – 14 Nov
PERFORMANCES DOCUMENTATION: 12 – 14 Nov
LECTURE: 14 Nov. 18h. “YINGMEI DUANS SOLO SHOW IN GRIMMUSEUM IN 2015” by YINGMEI DUAN

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Asiatopia 12/2010
International Performance Art Festival
Give art a chance
12 – 14 november 2010/ Chiang mai Thailand
12 nov.2010 1.30 – 4.00 pm.
...Workshop by artists present the process of work and process of idea
13 nov. 2010 1.30 pm. Chumpon Apisuk ; duration Performance
at Tha Phae Gate
5.30 – 8.00 pm. Ma ei ; Myanmar
Nopawan Sirivejkul ; Thailand
Rommel Espinosa ; Philippines
Alice De Visscher ; Belgium
Mongkol Plienbangchang ; Thailand
Chakkrit Chimnok ; Thailand
Rahmat Haron ; Malaysia
14 nov. 2010
5.30 – 8.00 pm.Vita Au ; Hong Kong
Vichukorn Tangpaiboon ; Thailand
Maria Victoria ; Columbia
Paisan plienbangchang ;Thailand
Kaori Haba ; Japan
Padungsak Khochasumrong ;Thailand
Jittima Pholsawek ; Thailand
Eric Scott Nelson ; U.S.A.

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Bienal Internacional de Performance
PerfoArtNet 2010
Agradece su inter�s.
Estaremos en contacto con usted pronto.
Thank you for your interest.
...We will be in touch soon.
www.perfoartnet.org
Call - Convocatoria 2010
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中文 Chinese

http://www.openart.org.cn/

10th Open International performance Art Festival artist list new

LATEST ADDED ARTIST LIST
new1 05-16-2009
China
Liu Di
Cui Tao
Ban Po
BaiCong Ming
Zhao Jin He
Gua Zi
Liu Hai
Cheng Li
Chen Mu
Mai Zi
Xue Li Ming
Kuang Lao Wu
Shen Yun
Wang Chu Yu
Tang Cheng
Wen zhu
Bi Xiao Bo
Yang Fang
Yang Qing
Zhang Yi Wang
Zhang Po
Peng Yuan
Hu Ran
Xing xin
Liu Cheng Ying
Zhang YU
Jia Qian Lan
He Ling
Wu Cheng Dian
Dong Jie
Zhou Bin
Xiang Xi Shi
Li Meng Yuan
Liu Xiang Jie
Shao Yan Xin
Wang Jian
He Ling
Liu Si Hai
Yue Lu Ping
Li Zhe
Yang Bing
Wang Feng Hua
Fei Xiao Sheng
Yu Tao
Su Zhong Qiu
Hei Yue
Ye Fu
Hei Yue
Ye Fu
Zhu Yan Guang
Yao ong Qiang
Cao Jia Qi
Shi Zhi Yong
Luo Yue
He Ling
Yu Zhen Zhi
Qiao Shen Xu
Qin Sheng Ming
Wang Jian
Li Xiao Mu
Zhang SiWen
Li Xiao Ming

GREECE
Demosthenes Agrafiotis

ISRAEL
Efi Ben-David

Sweden
Line Skywalker Karlstr?m

UK
Ewa Rybska
Sinead Breathnach-Cashell

Mexico
Juan Carlos Jaurena

USA
Chuck Chaney
Eric Scott Nelson
Daniel DeLua
Amelia Winger-Bearskin
Bryce Kaufman
Siri Grossman
Hiroko Kikuchi

Finland
Jonna Pohjalainen

Canada
Hugo Nadeau

new2 05-17-2009
Switzerland
Varsha Nair
Lena Eriksson
USA
Patrick Jambon (France/Germany)

China
Dai Guang Yu
Cai Qing
San Mao
Chen Shi Seng
Li Xiao Ming
Huang Jun Hui
Feng Wei Dong
Chen Gunag
Shu Yang
Zhu Yu
ChenJin
He Cheng Yao
Yang Zhi Chao

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Opening Saturday June 6th, 7pm - 10pm

3 Prisoners

In June, a physical record of desperate confinement will be on display at open source gallery.

The scenario, by Hubert Dobler, is the fictional incarceration of three “prisoners” (mutant chainsaws with motorcycle wheels) and the evidence of their resultant activities. This site-specific installation, and Dobler’s continued incorporation of motorbikes (symbols of freedom and rebellion) in his work, represent an ongoing investigation into the limits of freedom within the bounds of civil society. Opening reception is June 6th, please join the artist for a toast to reckless abandon.

Opening Hours: Mon - Wed 10am-2.30pm
Saturday: noon-5pm
an appointment at any other time is most always available. please call
Monika Wuhrer 646 2793969 or Gary Baldwin 917 5416056

email info@open-source-gallery.org

255 17th street between 5th and 6th Ave (street level) in South Slope, Brooklyn
Map

open-source-gallery.org

*This e-magazine is distributed to those who registered on this website or whose business cards have been received

In the year marks the 150th anniversary of the opening the port of Yokohama, as a pioneer project of “Creative City Yokohama”, a new international festival embraces modern art, media art, computer graphics, animation, filmology, photography, 「International Festival for Arts and Media Yokohama 2009」 will be held in this fall.

E-magazine contains the latest news relating to this event will be distributed on a regular basis, your subscription and feedbacks are always welcomed.

In this Issue:

First Press Conference of International Festival for Arts and Media Yokohama 2009
Pre-Event Activity “AM Cruise”
Supporting Crew (Volunteer) Invitation
Cream Competition

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First Press Conference of International Festival for Arts and Media Yokohama 2009

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The first press conferences of International Festival for Arts and Media Yokohama 2009 had been held. (April 24 for Yokohama Municipal Administration correspondents, April 25 for general media reporters) Director Sumitomo presented the summary, official logo and promotional video of this event in the conferences.

CREAM (Creativity for Arts and Media)
Resulted in the digitalization of image production and transmission, now we are standing at entrance where new communication is originated by images and media. Such change is considered by many as influential as the invention of writing, when the history of literacy started.
Neither a movie festival nor a modern art exhibition, a new international festival “CREAM” will open this fall. This event invites 50 individuals/groups of artiest from all over the world and gathers works from wide-range of genres relating to images and media to create a space full of fascinating activities concerning extensive usage of images and media.

SCREENING:
Introducing the trend of moving image works worldwide, art and music documentary films, archival footage, films made by contemporary artists, and etc.

PROJECT:
Citizen participating type pre-event activities, art projects relating to the local, and public competition searching for the expression of images and media

EXHIBITION:
The latest advancement of media will be introduced under the theme “Deep Image”

PERFORMANCE:
Images and Media related music concerts and performance will be held both indoor and outdoor, including in public spaces

FORUM:
Symposia and lectures gathering artists and researchers in the filed of images and media from all over the world will be organized throughout the event

For more information, please log onhttp://ifamy.jp/en/

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Pre-Event Activity “AM Cruise ”

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On the same day of press conference at April 25, Sat, “AM Cruises” Vol.4 was held at Creative City Center. A panel of three guests spoke about the 4th topic of this pre-even activity, “The relation between images/picture and a town”.

“AM Cruise” is a pre-event activity held for 10 months before “International Festival for Arts and Media Yokohama 2009” opens, which consist of 10 sessions of images introduction, group studying, and idea exchanges, workshops with those who concerning with media culture. “AM Cruise” started its journey in March and the first 4 sessions had been completed. The upcoming Vol.5~10 will be organized along with our supporting crew. If you are interested in event planning, please don’t hesitate to join our supporting crew!

For past activities of AM Cruise, please log on our blog

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Supporting Crew (Volunteer)Invitation

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We are looking for volunteers together with us to make this event from idea to reality. Our volunteer program includes brain storming and idea gathering regarding media arts with others who are interested in media culture, art, and Yokohama regional resources and development, producing works with participating artists and event planning, operation and administration. Activities of our supporting crew have started in ZAIM on April 29, Wednesday!

Join us at http://ifamy.jp/support_crew.php
For more information and past activities, please log on our volunteer billboard

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CREAM Competition

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CREAM Competition Program, along with the juries who are leading figures in diverse domains, aims to propose a brand new visual expression and experience. This international competition is open to moving image works of any genre from the public worldwide.
The submission started at May 1st, and the latest news will be posted on the official website.

For more information, please log onhttp://ifamy.jp/competition.php

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International Festival for Arts and Media Yokohama 2009

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Title:International Festival for Arts and Media Yokohama 2009
Date：October 31, 2009?November 29, 2009
Venues：Shinko Pier Exhibition Hall, BankART Studio NYK, and other nearby venues in the neighboring areas

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Contact

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The Organizing Committee of the International Festival for Arts and Media Yokohama 2009
#4-B 2-8 Kaigandori Naka-ku,Yokohama-shi, Kanagawa, 231-0002 JAPAN
TEL：045-212-5661　FAX：045-212-5630
Official Website：http://ifamy.jp/en/
E-mail：info@ifamy.jp

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CALL FOR PROPOSALS: Escapist Action
Deadline: June 30, 2009; Source: FADO

FADO Performance Inc. is currently seeking proposals for live performances that consider trends of escapism during
periods of economic crisis and recession. Unusual investment structures, increased unemployment rates and the panic
ridden news media have everyone worried about a downturn in the economy and looking for distractions.

Recent news media reports have highlighted “recession time” trends including increased sales in alcohol, fast foods
and cheap forms of entertainment. Business analysts are predicting that there will be a shift from high-cost forms of
entertainment to low. It is believed that this development, in hard times, is due to individuals wanting to escape from
their problems and troubles. During past recessions, people have turned to escapist forms of entertainment to help
them feel better and more secure about their financial situation. In bad times, we still need our good times, maybe
more than ever.

FADO Performance Art Centre is developing a series of new performance works considering the connection between
recessions and escapism. Performances artists are invited to think about the following when submitting a proposal:

• Escaping
• Nesting at home with cheap entertainment (reality television, video games, the internet & cooking your own dinner)
• D.I.Y. Entertainment (creating your own entertainment systems)
• Stay-cations (vacationing at home)
• Sharing Economies (borrowing instead of buying)
• The never-ending sale
• 2 for 1 special
• Increased cinema / movie sales and decreased attendance at live music and theatre performances.

Proposals should include a CV, bio, and description of proposed performance, images/video of past work, and any
other relevant information.

Deadline: June 30, 2009

FADO Performance Art Centre
448-401 Richmond Street West
Toronto, Ontario
M5V 3A8

++++

EVENT: Carbon Interiorities with Rachel Echenberg and Vida Simon
Dates: May 8-30 (see details); Source: Irene Loughlin

An artist residency and presentation of works by Rachel Echenberg and Vida Simon

Friday May 8, 7-10pm (during the James St. North Art Crawl)
An evolving installation using the materials of performance and drawing by Vida Simon begins.

May 12-16, 12-5pm
The public is invited to drop by the gallery as this performance/installation further unfolds. Please note: the gallery is
closed May 9-11)

Wednesday May 13, 7-8:30pm
An artist talk by Rachel Echenberg

Friday May 15, 4-7pm and Thursday May 14 (locations around Hamilton – TBA)
A performance underlining erasure and the invisible by Rachel Echenberg

Saturday May 16, 7-8:30pm
An artist talk marking the closure of the residency by Vida Simon discussing the performance/installation at HAI, and
past works.

May 16-30, Tues-Fri 12-5, Sat 12-4pm
An installation of the results of the artists’ work is on view at the gallery.

Montreal-based artist Rachel Echenberg works in performance, video and sculpture. Since 1992 her work has been
exhibited, performed and screened throughout Canada, Europe, and the US as well as Chile, Lebanon, Morocco and
Japan. At Hamilton Artists Inc., over the course of several hours Rachel Echenberg attempts to slowly erase herself
from view. This action aims to put a visual aspect to public invisibility and anonymity. Echenberg investigates live and
mediated presence through a body of works that explores vulnerable, intimate and uncontrollable relationships. She
has aways been drawn to actions that point towards slow physical and conceptual transformation. She is interested in
how proximity and dislocation affect the possibilities for active empathy and productive exchange from the viewer’s
distances perspective.

Vida Simon’s installation/performance work has been presented in a wide range of contexts – galleries, performance
festivals, residencies and site-responsive projects in public and private spaces. Her works has been shown
internationally, most recently in Lithuania and Chile. While her work is visually-based, she tries to create situations that
undo representation, revealing processes that are normally kept “behind the scenes”. Drawing live often plays a central
role in her performances. Vida Simon lives and works in Montreal. For the work in Hamilton, she explores the
intersections of drawing, improvisation, and personal archaeology. This slowly-unfolding-space will center on drawing,
yet also incorporate other actions performed at different “stations” in the gallery, forming a cycle of gestures.

Hamilton Artists Inc.
155-161- James Street North
Hamilton, Ontario L8R 3P1
905-529-3355
inc@hamiltonartistsinc.on.ca
www.hamiltonartsitsinc.on.ca

Public Hours
Tuesday – Friday 12-5
Saturday 12-4

++++

EVENT: Thessaloniki Biennale of Contemporary Art Performance Festival
Date: May 24-30, 2009; Source: Angelika Fojtuch

24th - 30th of May 2009
2nd THESSALONIKI BIENNALE OF CONTEMPORARY ART
PERFORMANCE FESTIVAL
Curated by: Demosthenis Agrafiotis – Eirini Papakonstantinou

The performance art artists participating are coming from Greece, USA, Portugal, Denmark, Nigeria, Canada, Romania,
Poland, Switzerland, Germany, China, Japan, France and Uruguay:

Angelika Fojtuch
Angeliki Avgitidou
Aris Prodromidis
Beatriz Albuquerque
Boris Nieslony
Cesar Martinez
Chengyao He
Clemente Padin
Danai Papas
David Adamo
Eric Andersen
Evangelia Basdekis
Guillermo Gómez-Peña
Hector Mavridis
IC Group
Jelili Atiku
Joachim Montessuis
Mary Zygouri
Matei Bejenaru
Michel Collet & Valentine Verhaeghe
Monika Günther and Ruedi Schil
Panos Tsagaris
Paul Zografakis
Seiji Shimoda
Sfina Sylvette Babbin

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EVENT: Live Action Göteborg
Date: May 28-31; Source: Joakim Stampe

This years edition of Sweden's leading international performance art festival, Live Action Göteborg, will take place,
from May 28 to 31 2009 at the Museum of World Culture. The international avant-garde of contemporary art will come
to Gothenburg when Live Action Göteborg presents the work of performance artist from around the world. With its 23
aritsts coming from besides Germany, Northern Ireland, Norway, France, the Netherlands, Switzerland, Spain and
Sweden, but also from Chile, Burma, Vietnam, Mexico, Canada, China and this years country of honour Singapore,
Live Action Gothenburg occupies the place as one of northern Europes most exciting performance art festivals. If the
notion world culture can signify an attitude, a way of living, a way of thinking, is World Culture in performance art a
way to be, to function, and during Live Action Göteborg, simply an act. It is also with great pleasure that we can
announce that this years festival will be presented at the Museum of World Culture. With this years edition we have
chagned not only the outlook and the season but also the venue. However, the artistic quality will still be on the same
level. Yes, we are very pleased to be able to present a mixed program of high quality, that we are convinced will
fascinate and stimulate a hopefully large audience. Welcome to Live Action Göteborg 09 !

ARTISTS:
Chu Yia Chia
Shannon Cochrane
Alexander Del Re
Esther Ferrer
Jürgen Fritz
Jean Claude Gagnieux
Amanda Heng
Kurt Johannessen
Norbert Klassen
Siu Lan Ko
Jason Lim
Alastair MacLennan
Helge Meyer
Denis Romanovski
Elvira Santamaria
Joakim Stampe
Hans T. Sternudd
Marco Teubner
Wen Lee
Elin Wikström
Agnes Yit

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WORKSHOP: Proto-type Theatre
Deadline: June 8, 2009; Source: Peter Petralia

This summer, for the first time ever, Proto-type Theater is running a six-day summer school at our new home, The
Storey, in Lancaster (UK).

The Proto-type Summer School 2009 will offer a chance for adventurous young makers to develop their practice by
working with Proto-type. The summer school will be a mixture of workshop/training sessions, new work development
and social time, all themed around the question, “Where do lost things go.” Proto-type company members will deliver
a series of provocations to the participants around various forms of loss, which will inspire the development of short
performance works. Participants will work in groups and individually to develop their short performance pieces and
will receive critical feedback and guidance on developing their practice. The weeklong workshop will end with a
presentation of work and a closing event.

The Proto-type Summer School is limited to 12 participants and the week is charged at £150. Applications are due by
noon 8 June 2009. Because spaces are limited, priority will be given to applications submitted before 1 May 2009.
Some bursaries may become available. Full details and an application from can be downloaded as a single PDF
<http://www.proto-type.org/documents/summerschool.pdf>

Questions can be emailed to summerschool@proto-type.org
Peter S Petralia | Artistic Director
Proto-type Theater
Room PD 01
The Storey
Meeting House Lane
Lancaster LA1 1TH
www.proto-type.org | info@proto-type.org

++++

CALL FOR PROPOSALS: HISK Work Years 2010-2011
Deadline: June 15, 2009; Source: e-artnow

HISK: Hoger Instituut voor Schone Kunsten / Higher Institute for Fine Arts
Charles de Kerchovelaan 187a
9000 Gent
Belgium
Phone: +3292696760
Fax: +322696770

Contact:
info@hisk.edu
www.hisk.edu

Open Studios:
Friday May 8, 2009 - 10:00 > 20:00
Saturday May 9, 2009 - 14:00 > 20:00
Sunday May 10, 2009 - 14:00 > 20:00

Deadline submission applications for work years 2010-2011: Monday June 15, 2009

For more information: www.hisk.edu

The Higher Institute of Fine Arts (HISK) organizes postgraduate education in Flanders in the field of the audiovisual
and visual arts. It provides approximately twenty-five young artists from Belgium and abroad with a studio of their
own for the duration of two years along with specific, tailor-made guidance. At the HISK, emphasis lies mainly on
individual practice with an international focus. The visiting lecturers are crucial. Artists, curators, critics and
theoreticians pay individual studio visits at regular intervals. There are also frequent visits to significant art events and
lectures, seminars and workshops are provided. The HISK also offers technical facilities and production opportunities.
Thanks to the unique HISK concept, the participants are given every opportunity to invest in critical research of their
work in order to situate it within a broader artistic, cultural and societal context. At the end of the two-year working
period, the participant receives a certificate of 'Laureate of the HISK'. The HISK is officially recognized as Higher
Institute and is financed by the Flemish Community - Ministry of Education and supported by the City of Ghent. Since
1997, 148 laureates have graduated from the HISK. The largest part of them are currently building up a successful
professional career in the Belgian and international art world. In 2009, the candidate-laureates working at the HISK
come from Canada, Japan, Ethiopia, South Africa, Israel, the Czech Republic, Switzerland, Portugal, France, Germany,
the Netherlands and Belgium. An international jury selected them from more than a hundred candidates.

The Open Studios give the candidate-laureates the opportunity to undergo a confrontation with the public and to
generate a great deal of feedback from visual arts professionals. It also offers the audience access to and an insight
into the artistic development of a young generation of artists who will play a part in shaping the future of the arts
landscape.

++++

CALL FOR PROPOSALS: Methinks presents
Deadline: June 15, 2009; Source: Ryan Ringer

SUBMISSION DEADLINE: June 15, 2009

Methinks Presents seeks performance proposals from local, national and international artists and collectives of all
stripes, in response to the theme, We Made a Deal with the Devil.

With this theme as a guide, embark on a wild inspiration-hunt through the deep woods of folklore, collective memory,
mythmaking, adventure and risk. Possible points of entry include: tales of ghosts and haunted houses; legends of
mysterious beasts (such as Bigfoot, the Loch Ness Monster, Ogopogo, etc); and stories of crusty old hermits, lunatic
hitchhikers and alien abduction. The theme is open to interpretation. Have fun with it!

Proposals will be considered for inclusion in ONE or more tour dates, NOT THE ENTIRE TOUR. Please specify where
you are able to perform; hopefully you live in, or within a reasonable distance of, one of our tour stop. Of particular
interest are malleable projects that can be adapted for a variety of sites, including: inns, bars, art galleries, lofts,
vacant lots, campsites and public parks.

PLEASE NOTE:
Although we respect and value the artist fee rates established by CARFAC, we cannot provide artist fees for this project,
nor can we provide travel assistance or lodging (unless we have extra space at one of our campsites, etc; in which
case, you're more than welcome to stay with us). Participating artists and collectives are responsible for all costs,
including travel and lodging, associated with their projects.

SUBMISSIONS SHOULD INCLUDE:
- CVs and short profiles of all participating artists
- Detailed project description specifying spatial and technical needs, etc (max 1 page)
- Links to online documentation (video and/or images) of the proposed project or relevant work by you (or your
collective)
- A list of tour stops (like, which town or city on our tour schedule) that are possible for you to participate in

EMAIL US AT: methinkspresents@gmail.com to receive a PDF of the submission form.

CONTACT/INFO:
Ryan Ringer, Director; curator
METHINKS PRESENTS PROJECT 165
methinkspresents@gmail.com
http://methinkspresents.org

++++

EVENT: PLOT, ENGAGE, DISPERSE
Date: June 27-28, 2009; Source: Keith Cole

PLOT, ENGAGE, DISPERSE
as part of "Alternative Arts"

Plot, Engage, Disperse is Pride Toronto's experimental mixed art programme. With an emphasis on interactivity, P/E/D
is comprised of performance art, intimate conversation, craft making and singing along - but that's not all! Blurring
the lines between art and experience, high and low culture, playfulness and thoughtfulness P/E/D takes art out of the
galleries and brings it onto the streets for all Pride art lovers.

Artist and P/E/D curator Daryl Vocat has again assembled a unique group of artists and performers this year for an
event that is perfect for the queer and queer friendly urban explorer. Stuff your face at a Dyke Day afternoon pie
eating contest with Lex Vaughn, get crafty in the FreeZone making felt moustaches, one-inch buttons, or bring
something to have screen printed! Commemorate Pride 2009 by having Duorama stamp you pennies. Reflect on
history with a screening of the documentary General Idea: Art AIDS and the Fin de Siecle. Drop by the P/E/D tent in
Norman Jewison Park to watch a series of animated videos. Join the crowds on Saturday June 28th at 10pm in Paul
Kane Parkette for a secret sing along. Don't know the words? Don't worry you'll still have "something to sing about!"

P/E/D is truly a unique experience and you are encouraged to choose your own adventure in Church / Wellesley's
unique park system.

Daryl Vocat, born in Regina, Saskatchewan, is a visual artist living and working in Toronto. He has had solo
exhibitions at Toronto's Thrush Holmes Empire, Open Studio, and York Quay Gallery. He has also had solo exhibitions
at SNAP gallery in Edmonton, Eastern Edge Gallery in St John's, James K. Bartleman Art Gallery in Elliot Lake, The
Wilfred Laurier Gallery in Waterloo, and Malaspina Printmakers Gallery in Vancouver. He has participated in several
group exhibitions both in Canada and beyond.

For full project details, schedule updates and P/E/D artists bio's please visit visiwww.pridetoronto.com/ped or at
www.darylvocat.com <http://www.darylvocat.com>

Plot, Engage, Disperse
Part of Alternative Arts at Pride Toronto
Curated by Daryl Vocat
Various location in the Church / Wellesley Park System
Saturday June 27th and Sunday June 28th, 2009
Starting at 2pm both afternoons
FREE

++++

EVENT: Stromereien Performance Festival 2009 + Workshops
Dates: July 29-August 7, 2009; Source: Bettina Holzhausen

http://www.stromereien.ch/

It’s that time again already! Once again stromereien will present 15 new and unusual performance projects. In addition
the festival will offer a six day workshop for professional artists, a symposium discussing the rules and breaking of
boundaries in public spaces, discussions with the performing artists and lots more!
The detailed festival programme will be available at www.stromereien.ch from May 2009.

Artists stromereien 09: Simon Berz (Zürich), Cie. Nicole Seiler (Lausanne), Cie. Nuna - YounSoon Cho (Lausanne),
Body Cartography Project (Minneapolis, USA), Nicolas Y Galeazzi (Barcelona, Berlin, UK), Georg Keller (Zürich), Jordan
McKenzie (London, UK), post theater & Beatrice Fleischlin (Berlin), Anne Rosset & Robert Alexander (Zürich), Mia
Rushton & Eric Moschopedis (Calgary, Kanada), Katja Schenker (Zürich), Nadine Schwarz (Zürich), Lara Stanic
(Zürich), Anna Tenta (Zürich), Eva Weaver (Brighton, UK)

Workshop with Thomas Lehmen (Berlin)
2. – 7. August 2009 (full days)

In his workshop, Thomas Lehmen will concentrate on the artistic exploration of public space. Over a period of six days
the participants of the workshop will experiment with different strategies of creating a dialogue with communal
spaces, of how to react to the resulting findings or how to include imaginary content in these results . The factual
context of a city will thereby be brought into a creative relationship with artistic ideas, utopian fantasies and invented
characters. A series of tailored, specific exercises will lead the workshop participants in exploring the city. On the final
day of the Workshop, several “Working Rehearsals” will be presented to the public as part of the stromereien 09
Performance Festival Zürich.

The workshop is aimed at practising artists of various genres, specialists in related subject areas, and students of
relevant subjects.

Thomas Lehmen is a choreographer, dancer and teacher. He studied at the School for New Dance Development in
Amsterdam from 1986 to 1990; since 1990 he has been living in Berlin where he developed numerous works and
projects that have presented worldwide. Topics of repeated artistic interest include communication, cybernetics and
the way in which the human being reflects over, and therefore influences, his environment. His methods of
approaching material, which often use elements of verbal communication, are based on conceptional methods and
forms of presentation. Thomas Lehmen teaches at various universities in Amsterdam, Hamburg, Berlin and Reykjavik
and gives workshops both nationally and internationally. His teaching methods often utilise choreographical systems
that lay focus on an individual artistic process.

Works (Selection): 1999: "distanzlos", 2001: "mono subjects", 2002: "Schreibstueck", 2003: „STATIONEN - Station 1,
Berlin“, 2004: "FUNKTIONEN", "It's better to...", 2006: "Lehmen lernt", "Invitation".
www.thomaslehmen.de

Course Dates: Sunday 2nd – Friday 7th August 2009, all day
Location: Tanzhaus Zürich, Wasserwerk 129, CH – 8037 Zürich
Working Language: German (possibly also English)
Cost: SFr. 400.00 (Swiss Francs)

Places are limited!

Written or emailed registration for the workshop containing a short CV (bullet points); Don’t forget address, telephone
number and email address! a short letter of application explaining why you wish to take part in the workshop should
be sent to the following address:

stromereien 09, c/0 Tanzhaus Zürich,
Wasserwerkstrasse 129,
CH – 8037 Zürich

For questions or information please contact Bettina Holzhausen at info@stromereien.ch, or +41 (0) 79 745 30 24.

++++

CALL FOR PAPERS: essi Arts + Opinions
Deadline: September 10, 2009; Source: Essi

Theme: Sabotage
Deadline: September 10

Send your text (1,000-2,250 words) to s.babin@esse.ca
(50-80 words), an abstract of the text (100 words), as well as postal and e-mail addresses. We also welcome
submissions (reviews, essays, analyses) not connected to a particular theme (deadlines: September 10, January 10 and
April 15).

Sabotage
After a year spent focusing on waste, fragility and disappearance, we felt the need to have a look at the art object
prior to its obliteration or transformation, to consider instead what accelerated its disintegration, and explore the
means and motives behind such practices. In thus seemed appropriate to propose to authors a meditation on the
notion of artistic sabotage. In the next themed issue, esse will publish critical analyses of artistic practices that aim to
disrupt established systems as well as public order, through self-destruction, contamination, interference or infiltration.
Some artists seem to look towards illegality, others choose to undermine their own projects or to interfere in others’,
thus producing a value judgment on the artistic quality of a work. There are also those interested in diverting the
mechanisms of structured paranoia in our society, in particular camera surveillance systems and social networks that
appropriate personal data. Our objective is to better understand non-ethical, illegal practices—sometimes politically
inclined, even anarchist—that spread chaos for purely artistic reasons, whose strike force possibly resides in their
capacity to critique established discourses and their imitations. esse wishes to highlight the necessity of practices that
deliberately act on various systems, including the art world’s, to better show their failings and perhaps even awaken
consciousness.

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Info from FADO:
Established in 1993, FADO Performance Inc. (Performance Art Centre) is a not-for-profit artist-run centre for
performance art based in Toronto, Canada. FADO exists to provide a stable, ongoing, supportive forum for creating
and presenting performance art. Currently, we are the only artist-run centre in English Canada devoted specifically to
this form. We present the work of local, national and international artists who have chosen performance art as a
primary medium to create and communicate provocative new images and new perspectives. Thanks to the Canada
Council for the Arts, Ontario Arts Council, Toronto Arts Council and the Department of Canadian Heritage for their on-
going support of our endeavors.

To subscribe or unsubscribe to this list, please go to our website:
www.performanceart.ca

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KYOTO Art Center

Artists in Residence Program 2010

(maksimum 3 bulan di antara April 2010~31 Maret 2011)

KYOTO Art Center (KAC) menyelenggarakan program residensi bagi seniman dan peneliti seni yang tertarik pada budaya Jepang.

Para peserta akan tinggal di Kyoto.

KAC akan menanggung seluruh biaya akomodasi selama masa programnya di Kyoto (max. 3 bulan tidak termasuk makanan dan keperluan hidup lainnya)

KAC akan menyediakan ruang kerja dan fasilitasnya setelah disepakati oleh kedua belah pihak.

KAC akan memberikan grant sebesar 200,000 yen biaya produksi untuk perorangan maupun grup yang dinilai bagus.

Aplikasi harus sudah diterima selambatnya 30 Juni 2009

Informasi :

http://www.kac. or.jp/

Kyoto Art Center Artists-in-Residenc e Program

546-2 Yamabushiyama- cho, Nakagyo-Ku, Kyoto 604-8156 JAPAN

Tel. 081-75-213-1000 Fax 81-75-213-1004

GRACE EXHIBITION SPACE
840 BROADWAY, 2nd Floor - Brooklyn
(646) 578-3402

ARAI SHIN-ICHI
[TOKYO, JAPAN]

www.araiart.jp

"Petit Retrospective of ARAI Shin-ichi"
"works from 1999-2009"

Tuesday, May 5 - Saturday, May 9
8:00-10:00
Free

8:00pm 5th May 2009
"Viva! United States -for Herbert Norman"
http://www.araiart.jp/v304.html

8:00pm 6th May 2009
"Viva! Invasion and Puppets"
http://www.araiart.jp/vivainvasion.html

8:00pm 7th May 2009
"Happy Japan!"
special guest TANAKA Toshi
*TANAKA Toshi is ARAI's old friend who is a Sao Paulo
based Butoh dancer,calligrapher and master of bodywork.
see
http://www.jardimdosventos.com

8:00pm 8th May 2009
"Viva! Globalization For TANAKA Mitsu"
http://www.araiart.jp/0804273e.html

8:00pm 9th May 2009
"Thank you Joseph Beuys"
http://www.araiart.jp/9o105.html

GRACE EXHIBITION SPACE
840 BROADWAY, 2nd Floor - Brooklyn
(646) 578-3402
gracexhibitionspace@yahoo.com
www.grace-exhibition-space.com

day 1 - ARAI SHIN-ICHI
[Tokyo, Japan]

www.araiart.jp/v304.html

"Viva! United States"
"for Herbert Norman"

Tuesday, May 5
8:00
Free / By Donation

Viva! United States -for Herbert Norman
Alexis Bellavance [Montreal, QC, Canada]

Petit Retrospective of ARAI Shin-ichi
Works from 1999-2009

The first of 5 nights of performances by Mr. Shin-ichi

Viva! United States -for Herbert Norman

In University, I studied Modern Japanese History, and re-learned Herbert Norman . . .
In elementary school, we ate a lunch of bread, powdered-milk, and other (unnamed) foods. I never ate bread or milk in my own home, at home we ate rice and miso soup. The bread at school was made with [expired] flour from the United States, and we drank [powdered] milk , which I later learned, were common in the United states.

Still, the U.S. government had sold them to the Japanese. When I asked my mother to buy bread and milk, she said they were too expensive for us . I liked Coca-cola alot, but could only get it once or twice a year, when our relatives visited and gave me a little money; then I ran to the store and bought Coke. My parents asked why I like Coca-cola, when it tastes like medicine and it is so expensive?Viva! United States -for Herbert Norman

At the same time, every day on tv ads, they sang the. "DEL MONTE tomato ketchup" song, and we happily sang the "DEL MONTE tomato ketchup" song without knowing what ketchup is. Because of this song, I like ketchup so much, I use ketchup on everything. However, my parents never got used it.

40 years ago, my home town was a countryside , and all around my house were rice fields and some gas stations. Now, there are no rice fields, but only McDonald's, Kentucky Fried Chicken’s, 24 hour convenience stores (like "Seven-Eleven"), and USA-style road-side restaurants. In our Japanese kitchens ‘ there is no more Ajinomoto, and all the food we buy has everything already in it. My father, who died 7 years ago , liked Kentucky Fried Chicken very much He also liked Japanese sake very much. So, he drank sake and ate Kentucky Fried Chicken. Yes. He drank sake with Kentucky Fried Chicken. Now my mother lives alone in our home town.
She told me that she sometimes does not like to make her meals, so she buys bread and milk at the convenience store, 7-11 for her lonely dinner alone.
Widely read in his time, Herbert Norman wrote about the working class of Japan, and of the farmers, who had created a political system of their own. This political system, despite the various realms of the Japanese Emperors. had existed for hundreds of years, and had remained stable Normans’ writings on the modern history of Japan are important, especially his writings on the tradition of democracy in Japan before World War Two, as many Japanese historians believe that before World War II there was no tradition of democracy in Japan.

Life began to fall apart for Norman in 1959, when questions were raised in a US Senate committee about his reliability and his past activities at Cambridge University. In 1956 he was moved to Cairo as Canadian Ambassador to Egypt where, after brokering a successful treaty over the Suez Crisis, he found himself in the international spotlight once again.V
But his presence in Cairo sparked criticism in Washington that someone of Norman’s questionable security background could occupy such a sensitive position. He was named again in the U. S. Senate Internal Security Subcommitte in mid-March 1957.

In desperation and over the fear of a second round of questioning by the Senate, where he would have to support his views and name his friends, Norman took his own life by jumping off the roof of a hotel in Cairo on April 4, 1957. Despite the various realms of the Japanese Emperors, the writings of Norman were considered too political. He had portrayed the working-class, ie: the people who could not afford Del Monte Ketchuo at home, in so much of a spotlight, that he could not survive.

Had he survived, he would have had to name all of the people he had championed, (despite the fact that none of them were US citizens). PERRFORMANCE: ARAI pours ketchup over a portrait of Norman, with powdered milk and flour ARAI asks the audience to pour over him with powdered skimmed milk and flour. Arai sings the "DEL MONTE tomato ketchup" song. - Arai pours ketchup on the portrait of Norman and his wife Ajiomoto was said to make people clever, especially children. ARAI pours monosodium glutamate over the portrait of Norman and his wife. Ajinomoto is the Japanese company of monosodium glutamate that has produced monosodium glutamate since 1909. Ajinomoto means "King of flavor" in Japanese. Now, especially in Asia, there are many companies like Ajinomo.

day 2 - ARAI SHIN-ICHI
[Tokyo, Japan]

www.araiart.jp/vivainvasion.html

"Viva! Invasion and Puppets"

Wednesday, May 6
8:00 pm
Free / By Donation

Petit Retrospective of ARAI Shin-ichi
Works from 1999-2009

The second of 5 nights of performances by Mr. Shin-ichi

The statement of Mao Tzetong on 7th May 1959:

Now it seemed that appeasing of the uprising was warmly welcomed by the majority of people in Tibet. The traitorsCwho were extremely away from the people, robbed the property of them everywhere for a living. Thus the majority supported the Peoples Liberation Army to appease the uprising.
Suokang and Pala started the uprising. They made a mistake on estimating both the position and our policy to Tibet. Our policy, as you know, was not to innovate in the coming six years. And whether it needs to innovate after six years was according to the situation at that time. After we made this decision, we withdrew 30,000 troops in order to combine them together and make progress. However, they made use of the situation and organized the uprising started by the traitors from Xikang in Shannan.
The first purpose of them starting the uprising was to drive the Army away and intimidate us. They knew nothing about our policy and the power of the PLA. It took two days and two nights for only ten companies to appease the uprising in Lhasa, while four corps in Shannan. Now the PLA has added two and a half divisions, one in Shannan and another one in Changdu, the left half to protect the traffic system of Qingzang Line.

GRACE EXHIBITION SPACE
840 BROADWAY, 2nd Floor - Brooklyn
(646) 578-3402
gracexhibitionspace@yahoo.com
www.grace-exhibition-space.com

day 3 - ARAI SHIN-ICHI
[TOKYO JAPAN]

www.jardimdosventos.com

"Happy Japan"
"with special guest TANAKA TOSHI"

Thursday, May 7
8:00 pm
Free / By Donation

Petit Retrospective of Arai Shin-ichi
Works from 1999-2009

Tonight, Mr. Shin-ichi will be preceeded by Tanaka Toshi, the acclaimed butoh dancer and calligrapher

Happy Japan!

Almost 6 years ago Japan passed a law creating an official Japanese flag and an official Japanese anthem. Before that, there was no law fora Japanese flag or far a national anthem. Now, in school ceremonies , like graduations, people should show the Japanese flag and sing the national anthem. Teachers and students who do not like to respect the flag or to sing the national anthem in the ceremonies are punished by the director - because of the new law. Before there was some agreement among the people that the Japanese flag was the symbol of militarism, and the anthem celebrated the Emperor.
This is akin to the uniforms of Japan Overseas Cooperate Volunteers, the Japanese Peace Corp.
As a Volunteer I lived in Zanzibar, Tanzania from 1992 – 1994, and I taught wood block printing to young Zanzibar artists at the art school of Nyumba ya Sanaa, in Zanzibar. Before I went to Tanzania, all members of the Japan Overseas Cooperate Volunteers had to meet the Emperor, who is the honorary president of the organization. In Tanzania we got 200USD per month for meals, books and gas for our motor bike. Those days, Tanzanian people got 30USD for their jobs.
In Tanzania, I had a lot of girl friends who loved my money. In this performance, the title of the comic book used is, "What is a Patriotic War?"
The comic book's author says that Japan must have more military power, and we Japanese must have a more patriot spirit. This very popular comic book refutes the Nanking genocide by the Japanese army. It claims that there was no Korean or E.A. And claims that there were no women sex slaves in the Japanese army, claiming they were only commercial prostitutes.
More than a million people bought and read this book, most of them under the age of 30.

day 4 - ARAI SHIN-ICHI
[tokyo, Japan]

www.araiart.jp/0804273e.html

"Viva! Globalization For TANAKA Mitsu"

Friday, May 8
8:00 pm
Free / By Donation

Petit Retrospective of ARAI Shin-ichi
Works from 1999-2009

The fourth of 5 nights of performances by Mr. Shin-ichi

Viva! Globalization For TANAKA Mitsu

Epilogue for the first edition of "For women of life - an outrageous women-lib theory" (April 1972) by Tanaka

Mitsu First, I’ll tell you that authorities are stepping up their harassment day by day. Things seem the same with everything dubbed a movement. We are still wondering what a movement means and engaging in the lib that the society sees as a movement. Even this humble effort is already disturbing enough for the authorities, it seems. As she entered our collective, a member of our group lent the apartment she had lived by then. Then we found the authorities had listed the new lender, whom we had barely met once, as a member of our group , added with an allegation that she had stolen a rifle from a house and given it to extremists. Newspapers finely faked a story that our group had risen to armed fights. Funny enough, it was when we were struggling for our unfamiliar new job as bar hostesses. We are simply stunned by the slyness of the authorities.

Now, I am being tailed by a plain-clothes on a daily basis. A cop is shameless enough to visit my parents every day to intimidate them saying that their daughter is a ranking member of her feminist group. We just laugh at this old-fashioned mentality to use the word a ranking member. If I am a ranking member, you may be the gang leader. We joke and yet shiver with the sharpened claws of the authorities.

It is the authorities that crave for armed fights more than anybody else. Which fool on earth runs for armed campaigns when they are trying to illegalize everything dubbed a movement? It would be a blind suicide to rise to armed fights, at least on the vague terrain of the new left. As a bitch who has lived wagging her tail, I will refuse to die worthlessly like an underdog. Nor will l choose to live like one.

Women are always "realists." We'll do legal activities as the keystone. This is the very conclusion we reached after shamelessly drifting between the right and left, to the puzzling of the general public. We cannot take off elegantly as a lib group which tries to pick up everything dumped by all these called movements, including housewives leagues and new-left actions.

The authorities are trying to make the lib an exceptional vessel and cut it off from "ordinary women." But they miss one critical point that even their wives are women who cannot flee the fact that lib has taken place. We are not libs. Lib simply inhabits in the very difficulty women face in their lives. For every life of women to become lib. That is the sole condition for this world to become a truly humanitarian one. Now, a new image of woman is being created by career-ambitious women and some celebrity unwed mothers. This image, of economically and sexually independent woman, is a new makeup of postwar women, who were billed as becoming as strong as synthetic stockings. This means in turn, that less successful and imperfect women are left behind the makeup, grumbling only small weeds grow in the shadow. They try to fill up their frustration of not living their own lives by contributing more to order of the establishment. In this world where productivity comes first, those made to believe to be worthless, are sinners for their very existence. Seeking acquittal, they sacrifice themselves to the superficial ideal of society. So we see women who find their role in serving tea, saying they are happy if their tiny job makes everyone happy. Beyond this mentality are the specters of the militarist wives and mothers of yasukuni shrine honoring war-dead.

Liberalization of women means liberalization of the mentality that honors sacrificial deaths. To this end our lib as a movement aims at economic and sexual independence for imperfect ordinary women, linking a woman with women. And so we say no to giving up men and kids for the sake of the cause of our movement. Instead of looking up to single special figure, women now need to stand shoulder to shoulder. I will dedicate this book first to my mother with a lot of thoughts I cannot turn to words. And then to the ex members of our collective and my lib friends who cared for my health and gave me their hands while I was writing this book.

Arai Shin-ichi www.araiart.jp/

DIRECTIONS:
J-M-Z train to Flushing or Myrtle
& walk 3 blocks east from Flushing,
or 3 blocks west from Myrtle
to
#840 Broadway, 2nd Floor (btwn. Ellery St. & Park Ave.)
entrance left of liquor store - ring top buzzer
call for more directions: (646) 578-3402

Our mission is the glorification of performance art.

Grace Exhibition Space
840 Broadway
2nd Floor
Brooklyn, New York 11206
US

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ΑΦΙΕΡΩΜΑΤΑ /

TRIBUTES

Αφιέρωμα στoυς Θανάση Χονδρό και

Αλεξάνδρα Κατσιάνη / Thanasis Chondros

and Alexandra Katsiani Tribute

27 Μαΐου / May

21.00

Bar - Εστιατόριο .ES (Φράγκων 2-4) /

Bar - Restaurant .ES (2-4 Fragon str.)

Παρουσίαση φωτογραφικού υλικού όλων

των δράσεων του ζεύγους από τον

Κωστή Δρυγιανάκη, προβολή βίντεο

και μια έκπληξη.

Αφιέρωμα στη Μαρία Καραβέλα /

Maria Karavela Tribute

28 Μαΐου / May

20.30

Αίθουσα Σεμιναρίων Αποθήκης Γ, Λιμάνι /

Warehouse C, Port area

Παρουσίαση της δουλειάς της

Μαρίας Καραβέλα από την Μαίρη Ζυγούρη.

Presentation of Maria Karavela’s work

by the artist Mary Zygouri.

Αφιέρωμα στον Γρηγόρη Σεμιτέκολο

Grigoris Semitekolo Tribute

30 Μαΐου / May

21.30

Ωδείο Ρωμαϊκής Αγοράς /

Roman Forum’s Odeon

Παρουσίαση της συνολικής δουλειάς

του καλλιτέχνη από τον Παναγιώτη Κόκκορα.

Συναυλία με κοντραμπάσο απο

τον Βασίλη Παπαβασιλείου.

Επίσης θα πραγματοποιηθεί μουσικό κομμάτι fluxus

από όλους τους παρευρισκόμενους. Και μία εκπληξη.

Προβολή Ιστορικών performances

Screenings of Historical Performances

22-31 Μαΐου / May

10:00 - 24:00

Φουαγιέ Ολύμπιον /

Olympion Cinema (main entrance)

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KL Fringe 2009

Arts Exchange is Asia (AXiA) and Svarnabhumi Studio is once again preparing for KL Fringe Festival 2009 in June 2009. The festival will be divided into sections:

# Theatre

# Dance/Performance

# Music

# Film

#Book/ Reading

# Visual Arts

This little festival is now open to accept new work for screening process. Please send works and description to Zubin_mohamad@yahoo.com or call +60192459282 for further information. Thank you and look forward to hear from you fellow talented artists

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James Leonard

On Saturday February 28th at 8pm join us at Open Source for a performance by Fuse Works artist James Leonard. Leonard's performance will brief us on his Warbonds Certificates, a monetary instrument which he sells in order to finance the completion of an ambitious installation project. The bonds incorporate many of the details and security features that genuine government bonds use, including a holographic foil tape, microprinting and chemically sensitive watermark paper stock. Leonard's performance touches on every aspect of the Warbonds, from philosophical to physical. Following the performance Leonard will sell Warbonds to the public, a process which involves multiple signatures, official embossed seals and a questionnaire.

Cadence Giersbach: Living Room, 2007, paper pattern and paint kit

The Gallery will be open Thursday, Friday, Saturday noon to 6pm

255 17th street between 5th and 6th Ave (street level) in South Slope, Brooklyn

call Amanda 718 877 5712 or email info(at)open-source-gallery.org

open-source-gallery.org

Thomas Erben Gallery

back, forth and round about

Vijai Patchineelam, Sreshta Rit Premnath & Jaret Vadera

Rafil Kroll-Zaidi project space

February 19 - March 21, 2009

Opening: Thursday, February 19, 6-8:30 pm

Thomas Erben is excited to present a group of three artists who play with the poetics of relation, activating the spaces in between text, photography, painting, video, film and experience. Parallels, conundrums and paradoxes are the modus operandi used to illuminate the layered processes of making sense. Texts and still or moving images are partially erased, but then reappear in multiples, accretions or other media and slip back and forth between potential readings.

Vijai Patchineelam's (b. 1983, Rio de Janeiro) photographs and books trap objects, processes and the producer in a perpetual state of transit. Idea and result are conflated into a present continuous, which is both the impetus behind and the product of the work. Arthur, a large-scale photograph depicting the artist's friend, turned away, bent forward beside a similarly figured painting, further confuses these relations: the subject's body starts to resemble the body of the painting and vice versa creating an oscillating and mutual transformation.

2007 BA, Industrial Design, School of Fine Arts at the Federal University of Rio de Janeiro. 2008 "Frame Series" Bombay Art Gallery, Mumbai; "Zoation Painting" National Museum of Arts, La Paz, Bolivia; "1st Collective" Bienal EBA/UFRJ, Rio de Janeiro; Resident Artist, Blanton Museum of Arts, Austin, TX; 2007 IV International Biennial of Bolivia, La Paz, where he was awarded the Premio Unión Latina.

Blue Book, Moon Rock by Sreshta Rit Premnath (b. 1979, Bangalore) consists of four parts: a photograph, a chalkboard, a screenprint and the light directed from a reeling projector onto silver-sprayed acetate. The repeated image of a moon rock is recontextualized by these shifting media. Man's romantic emotional attachment drew him to the moon only to bring home physical evidence completely devoid of the original impulse. Premnath is exactly interested in this gap where the parts point in the same direction but hardly reconcile. Juxtaposed with one image of the rock, Wittgenstein's quote from his Blue Book, "We ought to talk further on about the meaning of 'forgetting the meaning of a word'" - a promise made in the past to discuss the meaning of forgetting in the future - further enriches Premnath's elliptical approach.

2008 Whitney Museum of Art Independent Study Program; 2006 MFA, Bard College; 2003 BFA, The Cleveland Institute of Art; 2002 Fellow, Yale-Norfolk Painting Residency, Yale University CT; 2008 "Mornings in Mexico" book project, Guangzhou Biennial, China; "Black Box" (solo) Gallery SKE, Bangalore; "Unnamable Name" Københavns Hovedbibliotek, Copenhagen; 2007 "Spectral Evidence" Rotunda Gallery, New York; 2006 "Yamini Nayar and Sreshta Premnath," Bose Pacia Gallery, New York.

Jaret Vadera (b. 1976, Toronto) presents a fragmented, mixed media "decollage" of an image from a tiger hunt. Simultaneously layering and ripping through multiple levels of paint and paper, the artist adorned and destroyed the symbol of the dead tiger, reflecting the tension between the exotic and the real, fact and fiction. Similarly, Vadera's video mutates found footage - omitting, fragmenting and filtering data - revealing the space of transformation between reality, mediation and the cognitive system.

2009 MFA Painting Candidate, Yale School of Art. 2008 "Exploding the Lotus" Art & Culture Center of Hollywood, FL; 2006 "Everything All at Once" Queens International, Queens Museum of Art, New York; 2005 "Night Shift" White Box, New York; 2005 "Fatal Love - South Asian American Art Now" Queens Museum of Art.

In the project space, Rafil Kroll-Zaidi (b. 1980, New Delhi) exhibits a selection of photographs of Bollywood film sets. The actors and extras, relaxed and out of character between shots, and the laborers, suddenly highly visible, contrast with the hyper-artificiality of the sets, allowing the images to explore the construction of the industry's vernacular. The artist also cites his longstanding interest in approaching light as a central narrative feature. In essence, the light source becomes like a character, whose primacy and subtle strangeness fundamentally change the emotional tone of the still image, transforming familiar and even clichéd stories into ambiguous, unknowable ones.

2003 BA, Princeton University. 2008 "Click: Contemporary Photography in India" Vadehra Gallery, New Delhi and Grosvenor Gallery, London; 2006 "Hot Shot, Spring" Jen Bekman Gallery, New York; his photo-graphs were included in "India Now" Editions Textuel, Paris, 2007, and Thames & Hudson, London, 2008.

Gallery hours: Tuesday - Saturday, 10-6

For further information and visuals, please visit our website www.thomaserben.com

or contact the gallery at 212-645.8701

Thomas Erben Gallery

www.thomaserben.com

526 West 26th Street, floor 4

NEW YORK, NY 10001

212-645.8701

info@thomaserben.com

I N V I T A T I O N

Exposition 10 au 28 février 2009 / Vernissage mercredi 11 février 2009 (17-19h)
Exhibition February 10^th - 28^th, 2009 / Opening Wednesday, February 11^th 2009 (5-7 pm)

G. DeWITT (États-Unis / United States) B. JANSONS (Australie / Australia)

G. DeWITT

Pour une majeure partie de mon enfance, j'ai été élevé par deux femmes qui vivaient leur vie avec grâce et force face à leurs épreuves familiales et personnelles, ce qui m'a permis de développer mon appréciation pour elles à un jeune âge. Tout au long de ma vie, j'ai été exclus de l'expérience des femmes qui ont endurées les problèmes spécifiques et très personnels de l'abus, de la maladie, de la mort, de l'abandon, de la monoparentalité, de l'identité sexuelle et de la discrimination/préjudice associée au gendre... (suite)

For a good part of my childhood having been raised by two women who lived their lives with grace and strength in the face of their personal and familial struggles, my appreciation developed early. Throughout my life, I have been apart of the experiences of women who have endured the endemic and very personal issues of abuse, disease, death, abandonment, single parenthood, sexual identity, and the discrimination/prejudice associated with gender... (more)

B. JANSONS

J'ai tendance à travailler dans un espace psychologique où, à travers l'abstraction, la distortion et l'exagération, je peux jouer avec le besoin involontaire des gens à attacher une signification à ce qu'ils voient. Plus grand est le nombre possible d'interprétations, le mieux c'est, particulièrement si ce que vous croyez voir change d'un moment à l'autre... (suite)

I tend to work very much in a psychological space where, through abstraction, distortion and exaggeration I can play with people's involuntary need to attach meanings to what they see. The greater the number of possible interpretations the better, especially if what you think you see changes from one moment... (more)

BOHDAN Cleah BUNTING Christine COLLET Bill EDMONDS
Ladan GHAJAR Sylvia GILLESPIE Stefan HAVADI-NAGY
Jan HOLTHOFF Yvette JULLIEN Ulrike OSTERMANN
Helena AMARAL Rémi JOUANDET Tamara TARASIEWICZ

Pour en savoir plus sur les artistes/ To learn more about the artists
Pour plus d'informations, contactez / For more information, please contact: art@gallerygora.com

Galerie Gora 279 Sherbrooke Ouest, #205 Montréal, Québec, Canada
H2X 1Y2 Métro Place-des-arts, sortie Bleury exit
Téléphone: (514) 879-9694 Fax: (514) 879-0164
art@gallerygora.com www.gallerygora.com

Nous sommes situés au centre-ville de Montréal, au coeur du quartier culturel et des affaires, au 279 Sherbrooke Ouest, au coin de l'avenue du Parc et Bleury. La galerie se trouve au second étage.
Métro : nous sommes situés à 2 minutes du métro Place des arts (sortie Bleury).
Stationnement : nous sommes situés à 2 minutes du stationnement sur la rue Bleury. Le stationnement est à $5 après 17h et durant la fin de semaine.
Stationnement : nous sommes situés à 2 minutes du stationnement municipal au coin de President Kennedy et Bleury.

We are located in downtown Montreal in the heart of the cultural and business district at 279 Sherbrooke West, at the corner of Park Avenue and Bleury. The gallery is on the 2nd floor
Metro : Two minutes from the Place-des-Arts Metro (exit Bleury)
Parking : Two minutes away from the parking lot on Bleury. $5 after 5pm and on weekends.
Parking : Two minutes away from the parking lot on the corner of President Kennedy and Bleury.

Pour se désabonner, envoyez à To unsubscribe, send to: unsubscribe@gallerygora.com
(Seule l'adresse de retour compte, message sera ignoré Only return address counts, message ignored)
Stages à la Galerie Gora Internships at Gallery Gora
Galerie Gora 279 Sherbrooke Ouest, #205, Montréal, Québec, Canada H2X 1Y2
Métro Place-des-arts, sortie Bleury exit Téléphone: (514) 879-9694 Fax: (514) 879-0164
art@gallerygora.com www.gallerygora.com Commentaires?/Comments?
Heures d'ouverture: lundi-vendredi, 10h-17h et sur rendez-vous
Opening Hours: Monday-Friday, 10am-5pm and on appointment
Problèmes pour visualiser cette page ? Problems visualizing this page?

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FEIRA DE ARTE INDEPENDENTE. na Casa Dissenso

07/02/2009 (sábado)

08/02/2009 (domingo)

Exposição e venda de artigos diversos:

obras originais. gravura. print. toy art. zine. fotografia. camiseta. souvenir.. e muito mais!

Apresentação das bandas:

07/02 - 16h. Hoping to Collide With

07/02 - 17h. Herod Layne

Horário: 14h às 20h

Entrada: Franca
Local: Casa Dissenso

Endereço: Rua dos Pinheiros, 747 - São Paulo/SP

Presença dos artistas:

André Boli. André Firmiano. Alex Senna. Arthusr D’Araujo. Bia ia. Bebop. Bruno Oliveira. Ceson. Dea Lellis. Denise Alba. Falvia Alice. Ivo Muniz. Joaquim Prado. João Ruas. Juliana Corrêa. Lucas Biazon. Luiz Felipe Padre. Malu Risi. Marina Moura. Pedro Von Wirz. Super Xoxo. Thiago Koronel. Viniciu Meire.... entre outros

Sorteio de uma tela por dia, pintada durante o evento!

Os artistas farão as primeiras pinceladas às 15h. O sorteio será às 19h.

Contamos com a sua presença, venha e confira o que um ser humano criativo é capaz de produzir !

R. dos Pinheiros, 747

São Paulo - SP, Brazil

t: 11 3061-9842

e: contato@dissenso.com.br | w: http://www.dissenso.com.br

-----
Newsletter / Theodor di Ricco / winter 09

www.sotodo.org

Schöne Winter Grüsse aus Berlin!

(english text below)

Sie sind herzlich eingeladen

Ich freue mich Sie zu sehen

K-Salon

Bergmannstr. 54

www.k-salon.de

Ü-Bahn: Südstern

zur Ausstellung von Theodor di Ricco

10. Feb bis 13. March 2009

Ausstellungseröffnung

Freitag den 13. Feb. 2009